30 Years on the Mountain Path

Diary of an anthropological and spiritual immersion in China

Book cover 30 Years on the Mountain Path

An essential account, not only about contemporary China, but for anyone who believes that traveling is not just moving the body, but rewriting one's own soul.

More than a reading, a journey through China

Map of China tracing the travel route

In "30 Years on the Mountain Path", Nino Rhamos takes us on a journey through facts and memories that challenge limits and cultural traps.

From the cosmopolitan and hypermodern streets of Shanghai to the ancient alleyways of Suzhou; from the surprising "social camaraderie" experienced in Changzhou's guesthouses to the exhausting and solitary challenge of climbing the endless steps of the sacred Wudang mountain.

Photographic records of daily life and Chinese architecture

However, the greatest discovery lies not only in geographical maps or academic enclosures, but in the continuous attitude of a sounding mountain that teaches the researcher that the place he spent his whole life searching for already had its home.

The author Nino Rhamos in mountainous landscapes of China

The detailed and emotional account of real life.

It was 30 years searching for those streets.

Internal view of the book pages

With an attentive ear to the precision of ethnographic observation and the poetic sensitivity of someone who allows himself to be transformed, the author unravels the complex web that unites the individual and the collective in Chinese society.

Listen to the journey's soundtrack while
wandering through the millennial canals of Suzhou

Nino Rhamos is a native of Rio de Janeiro, Brazil. A social scientist and holding a master's degree in Anthropology from the State University of Rio de Janeiro (UERJ), he also has a musical background from the Villa-Lobos School of Music. He is the author of the book Xondaro Guarani: martial art, performance, and politics, in addition to several academic articles. His doctoral research is dedicated to investigating issues of alterity and early 20th-century Chinese cinema.

Besides anthropological studies, the author has cultivated a deep bond with Chinese culture for over 30 years — a trajectory initiated by Taoism that preceded his intellectual interest, making this book the synthesis of a gaze that transits between academic criteria and life experience.